Walana Samadhi Buddha Statue
The Buddha statue came to fruition long after the demise of the Buddha.
The Bodhi Tree, the Dharma Chakra, the Sri Patula, and the Stupa were the symbols
associated with him even in Bharhut, Sanchi, Buddhagaya, and Amaravati. The statues were
initially built as per the traditions of the Gandhara, Matura, Amaravati, and Gupta
traditions. By the 4th century AD, the art of the statue had reached its peak in India.
These reflected the blend of great kindness and great wisdom which the Venerable Dr
Kamburupitiye Vanaratana Thera says are the two prerequisites of any Buddha
statue.
The history of the Buddha statue in Sri Lanka goes back to the time of Devanampiyatissa
(247-207 BC). According to the Mahavamsa, Dutugemunu (161-137 BC) brought a Bodhi Tree
and placed it by the side of the Ranmuwa Buddha statue. Dr Siri Gunasinghe, Venerable Dr
Kamburupitiye Vanaratana Thera, and C. A. Devendra are of the opinion that the first
ever Buddha statue was actually carved in Sri Lanka.
Records tell us that Devanampiyatissa placed a statue at the Sthuparama back in the 3rd
century BC, and this was later relocated to the Panchinatissa Viharaya by Jayatissa and
thereafter to the Abhayagiri Vihayara by Mahasen.
Buddhist literature refers to certain key principles in the statue: the placing of hands
of the hips, a straight figure, a perfectly carved nose, and a downward gaze by the
Buddha at his the soles of his feet. These are the characteristics embedded in a Samadi
statue. Distortions of form are not permitted, except to emphasize the twin qualities of
great kindness and great wisdom of the Buddha.
Buddha statues can be from various elements: stone, wood, clay, bronze, brass, cement,
and so on. We hear of brass statues being made in the Kandyan period. The art of
crafting these in bronze has been passed from generation to generation ever since.
Bronze statues have been found in Kegalle, Anuradhapura, Kanthanodai, as well as
Kandy.
The Walana Buddha statue was cast in bronze. Although it casts a distinct figure along
Galle Road and travellers passing into Panadura or leaving it can’t miss it, most
visitors lose sight of its uniqueness. This is in large part because no archaeological
value has been imputed to it, given that it was built in the 1960s. The sheer size of
such a sculpture exudes and inspires awe, yet for some reason it has lost its appeal on
visitors.
Inspired by the Buddha images of Rankoth Viharaya from the 19th century, it bears a
striking similarity to the statue of the Buddha at the Young Men’s Buddhist Association
in Borella. The latter was studied by a team of officials from the Panadura Buddhist
Association. According to Raja Salgado, the delegation was headed by Richard
Salgado.The reason for erecting such an edifice in Panadura was the 2,500th Buddha
Jayanthi. There had been a discussion for some time that a sculpture of that magnitude
and size should be built and placed in the city from where sprang the famous Panadura
Vadaya. Eventually, a three-acre plot of land was acquired for the purpose. Professor
Gunadasa Malalasekara laid the foundation stone for the occasion.
Sri Chandrasekara Mudali, a kinsman of the founder of Sri Chandrasekara Maha Vidyalaya
who lived in Horetuduwa, Panadura, undertook the responsibility of erecting the statue.
In line with the original plan, then, the Panadura Buddhist Association brought to Sri
Lanka the eminent Indian Tamil sculptor Mani, from Madras, entrusting him with the task
of sculpting it to perfection.
The inscription on the pedestal reads, “To commemorate the 2,500th Buddha Jayanthi, this
statue was erected on the initiative of the Panadura Buddhist Association with the help
of the government and devotees. The cost of erecting it was borne by J. M. Sri
Chandrasekara.”
On the 11th of May, 1960, Vesak Full Moon Poya Day, the statue finally saw the light of
day. It was unveiled by Arthur V. Dias. Gunadasa Malalasekara, who had laid the
foundation stone, was unable to attend the ceremony as he was residing at the time in
the US as Sri Lanka’s Permanent Representative to the UN. On Mani’s recommendation, the
statue has been coated in gold every two years since its unveiling.